when magnussen says “but look how you care about john watson” and then john turns around to face him and sherlock fucking lowers his gaze to avoid meeting john’s eyes
because that’s what you do when you’re in fucking actual love with someone to the end of the earth with all your being and the whole world still thinks you’re some kind of unfeeling frozen robot shit
”[…] you actually hear in the distance the Watson chords on brass as Sherlock is ascending the staircase because it’s really John… it’s the connection with John that’s giving him the motivation to recover from that situation,…”
"But what Sherlock is about mostly for us, in character and musical terms, is Sherlock and Watson."
Sherlock composer Michael Price, from his interview with mid0nz.
This, this, is why the music for s3 was the most satisfying thing about it. Because it felt consistent, unironic, true and trustworthy, and shored up the emotional expectations that weren’t always supported by the writing. Bravo, Mr. Price.(via professorfangirl)
Michael Price about the Sherlock fandom and how it informed his view of audiences.
Because we all need to hear something positive about fandom today.
We can be a positive influence and simply by loving what we love we can cause views to change. I hope we can stop beating each other up and continue to create positive things.
He has so much respect for the fans. He’s literally hiding away recording his first solo album in Berlin and he liked my other interview so he gave me a break and a couple of hours of his time and WOW. What a conversation, and what a guy!
Forget the wank. It’s inconsequential. Read my interview ;-)