Anonymous Asked
QuestionHas anyone figured out where the door from Arwel's tweet is from? Answer

dudeufugly:

regarding this tweet
image

A couple of folks on twitter and I think it is from The Empty Hearse, when Sherlock, Greg and Molly investigate the skeleton

image

imageimageThey added wallpaper, added colour and different doors, but corners, distance, column, etc fit “& it leads down somewhere dark.” (x)
Arwel hasn’t confirmed this yet though. Confirmed by Arwel.

I assume it is an old loc pic Arwel shared with us, as he has done before.

cantpronounce:

shylilfangirl:

taco-marco:

staff:

starting today all blogs without the following image will be deleted within 24 hours

image

i’m not even afraid of deletion. i just want this image on my blog

this is my favorite so far

Muahaha

(Source: buymyshirtshd)

franzkatter:

Pic I did for another team on Fandom battle.

Sheerrrrlooock. <3

(Source: larrycumstain)

constancecream:

[x] [x]

Appledore’s vaults?

dudeufugly replied to your post:"underground skeleton" crime scene entrance in TEHThank you, Geny, you’re the best! constancecream:

[x] [x]

Appledore’s vaults?

dudeufugly replied to your post:"underground skeleton" crime scene entrance in TEHThank you, Geny, you’re the best!

constancecream:

[x] [x]

Appledore’s vaults?

dudeufugly replied to your post:
"underground skeleton" crime scene entrance in TEH

Thank you, Geny, you’re the best!

mid0nz:

I Am You: Two Very Different Games

lemmonysnippets:

milarvela:

marybegone:

fuckyeahshezza:

It bothers me so much that people think Sherlock can’t be emotional and clever. It’s like he can’t possibly be the clever consulting detective genius we know and love and also an emotional man who falls in love

mid0nz:

Match Cut 

between the bipod the sniper is adjusting on his rifle and the lamp post/telephone pole over John’s face which doubles as a crosshair and as a cross-cross. John is himself the sacrifice and he is in the shadow of Sherlock’s sacrifice. This scene is in Sherlock’s mind’s eye as he recounts the real solution to Anderson. It’s what he was thinking when Moriarty was telling him his only three friends would die. He knew John was on his way back to Barts and this is how he imagined John in the taxi. In the cross-hairs and in the shadow of a cross.